Fabian Theory (1987)
Nigel Westlake
PUBLISHER: Rimshot Music Australia
RECORDINGS: Synergy Percussion, Michael Askill (Vox Australias)
RANGE: 4.3 octaves
DURATION: 5:40
MOVEMENTS: Single movement
TYPE OF ACCOMPANIMENT: Electronic effects.
MUSICAL OVERVIEW: The accents and playful, rhythmic writing in combination with the delay effect results in a bubbling and energetic sound. Tempo control is extremely important in this work as effectiveness of the effects relies on the marimba synchronizing with the delay. To aid in clarity of the texture created by the marimba and the delayed sound, articulate mallets must be used throughout. These mallets are also important for playing three toms, which are also part of the setup. A matched set of hard mallets is desired. Rubber or latex mallets are preferable as they aid in clarity and produce a "bouncy" sound, which may be desired stylistically.
ACCOMPANIMENT OVERVIEW: The effects require delay and loop pedals or computer software capable to these effects. A microphone(s) must be positioned to capture the sound of the marimba. The three toms used in the work should not be captured and included in the effects. Because of the specific requirements for the delay timing, all tempo indications must be strictly followed.
TECHNIQUE OVERVIEW: SI, SIA, and DV. The writing utilizes single-line stickings that are very idiomatic. The majority of writing alternates from hand-to-hand with either double verticals or single-independent figures. The score includes ossia for an extended section utilizing five mallets. The work does not contain large leaps and the hands remain close together.